I Hope You Apollogise - Various - Art Of Noise - Melaka Grunge Bands Compilation (Cassette)
This Get The Lyric is a website which helps people to find the lyrics of their favorite songs. All th lyrics are % correct here. So this site is the one which you can easily trust. This site is started by VPC, a well known music lover:). Mar 23, · The day has dawned. Do wake up and take us into your fold. Sages Naarada and others are singing eternally your greatness and soliciting your grace. Butter and milk are ready for you. To have them, please wake up quickly, Lord of the serpent couch! Celestial damsels are singing your praises, ready to serve you. Gem of the solar race! Posts about Various written by JC. From wiki: C86 is a cassette compilation released by the British music magazine NME in , featuring new bands licensed from British independent record labels of the gakciamidurhesom.ciastarweltuirienewsflirmilhearovenbi.co a term, C86 quickly evolved into shorthand for a guitar-based musical genre characterized by jangling guitars and melodic power pop song structures, although other musical styles were.
Having no other choice, it grew on me. I would say both environments primed me for my musical future. As a guitar player, I tend to favor big, fat guitar sounds with loads of gain thanks to Metallica, but what is it about sythnpop, post-punk, and dance that speaks to me and makes me a fan? Could it be the musicality? Could it be the instrumentation?
Suffice it to say that my tastes have ever expanded over the past 10 years thanks to my friendship with a certain blog founder, who ruthlessly makes me listen to more music than I could handle. The tradition keeps up today, more so now as I am a contributor to the blog. If my mother planted the seed of the antithesis of rock, SDM made it flourish, expanding my musical horizons. Never in a million years would I have thought that Shakespears Sister would be rubbing elbows with Sevendust and Slipknot in my music collection, but there it is.
Conversely, I have made SDM listen to a steady stream of music that has deepened the range of music in his way too large collection. Posted by Bloodybones at PM 6 comments Links to this post.
Labels: EditorialVideos. Well, here are our last blurbs of the year. Again, these are great albums that for one reason or another we could not dedicate the time to or did not discover immediately after release, but we could not allow the year to expire and not write about them. Many thanks to Hyena who helped me to pen these blurbs and understood my own sense of urgency in getting the word out.
And though I I Hope You Apollogise - Various - Art Of Noise - Melaka Grunge Bands Compilation (Cassette) there will be at least one more post after this one, this may very well be the my last post of the year. We will return on or about 2 Januaryas we are meeting to decide what our top picks of the year are and want to share them with you as quickly as possible.
We will be voting — fighting — over our picks in album, tracks, album cover art, and videos we have posted on the blog throughout the first year. I appreciate the fact that everyone wanted to put in their two cents in, because at once it alleviates me from having to think of everything on my own, but also it is more authentic. I appreciate the fact that Juju, Mirage, Hyena, and Bloodybones have been part of this process with me.
My gratitude for your help and support goes beyond words. But compiling a list of the best of a year, with people who have different tastes, and are at different stages of their musical discovery, is interesting and really telling and reflective of what we have done here. In many ways, that is exactly what this blog is: a journey of musical discovery, not just for anyone reading, but for us as well.
And I hope that in the next year, that journey become broader, deeper, and even more schizophrenic than this year. I hope everyone has enjoyed this holiday season and the upcoming New Year or in the least had the time off from work to catch up on sleep and with friends and family. And I cannot say this enough: Thank you for the support! Wishing you all health and happiness. I have to say that one of the things I enjoy the most when I talk to SDM about music is all the older stuff he listens to.
So the other night he went crazy sharing videos on YouTube with me, and what I quickly realizes that is that he is right: it is a crying shame that so many older videos are not officially available on the Internet.
Hope you enjoy them. Read more Posted by Hyena at AM 0 comments Links to this post. There are a limited number of releases as we are nearing the end of the year, so I was not expecting for much, but to my surprise, I found Moke. This Dutch quintet has been rising up in the ranks as a Britpop influenced indie rock band, whose appeal is starting to become international.
Their approach to music making is rather different compared to other bands. The quintet believes that repetition is a sign of weakness. Therefore, they have purposely devised their second album to sound almost completely different from their first.
The band has incorporated several sounds together with a wider range of instruments and arrangement styles. Despite their efforts to have two completely different sounding albums, they still carry one constant trait. The album is an organized mix of emotions, just like the cycle of life. There is a mood for everyone to relate to. However, the genius of it is that the album does not sound too jumbled up. The sonic journey is fluidic, never leaving the listener dumbfounded or confused.
We know exactly what is going on. Each track is filled with a variety of noises that varies from synths, guitars, violins, keyboards, and drums. Together, the melody brings such a genuine mood of whichever emotion that the band wanted to instill. And even though the band employs many familiar sounds, even Felix Magnin vocalist has a voice similar to other artists, the mix and approach to their music creates a distinctive and unique style.
The video, paired up with the song, makes for a great first impression. That is the obvious motive behind the video; considering that the band is neither American, Australian, British, Canadian, Irish, nor New Zealanders, Moke will have to prove their chops to Anglophile critics of their prowess as a band. And prove it they do. In this revival of 80s from new wave to post-punkso many bands are paying more than homage, as they are sheer imitation.
Moke, however, is not rehash or revival. Their sound many be influenced by the past, but their influences are definitely larger in range than other current artists.
And this, I believe, is working to their advantage. Track Listing: 1. Switch 3. Love My Life 4. Black And Blue 5. Nobody's Listening 6. Window Of Hope 7. Ghost 8. Terrible End 9. Heaven Here is their video for "Switch" from their YouTube Channel: moketheband. Labels: MokeReviewVideos. Okay, if you are in the greater New York City area, you are covered by snow by now.
So here I was, at home, canceled plans and bored, when SDM gets online, whom I have not talked to in weeks. We quickly started catching up and one thing led to another and we were beaming back and forth YouTube and MySpace Videos links. That is when Juju got online, screamed at both of us, told SDM to get back to writing, and I decided to collect some of the videos we shared back and forth for a post. These are the newer videos we shared, as I plan to sneak back online in the next day or two to post the older videos.
So here are videos to watch I Hope You Apollogise - Various - Art Of Noise - Melaka Grunge Bands Compilation (Cassette) a blizzard. La Bulle Sonore Records. I had been nursing some bad migraines over the past two weeks, which kept me from tidying things up for here on SlowdiveMusic Blog.
When you think about musicians today who are capitalizing on electronic music, you think of Calvin Harris, La Roux, Little Boots, Rokysopp, and Transbeauce, What do all of these artists have in common? They are European. Now, I am not saying that there have not been great electronic bands from the USA Information SocietyAustralian Cut Copyetc…, but it does seem that Europeans have always been more open to the use of technology to formulate music.
We can theorize about why but who wants to hear a discourse on colonial and post-colonial theory? What I will say is that La Bulle Sonore Records is one of those labels that has its finger on the pulse of current 80s revival, cutting edge synthpop, and a realm of pop that has always been more popular overseas than here in the States. It would definitely take a European record label to even conceive of a synthpop compilation, let alone pull it off.
But you really should take a listen to this collection. The music hear represents more of the synthpop that artists such as Vince Clarke early Depeche Mode, Yazzo, Assembly, and Erasure has created — strong pop sensibility, a healthy respect for the standards, and no gloom and doom, but rather music to smile and dance to, to party and forget the world outside.
When vocalists are part of the band, or employed, they are not just singing to the melody; their voices are also employed as another layer of arranged sound, adding to the soundscape in way that conventional pop does not.
But this compilation is more than just standard synthpop; tuck away in the fold is some experimental pop, nu-new wave, and shoegazing, I Hope You Apollogise - Various - Art Of Noise - Melaka Grunge Bands Compilation (Cassette). However, the compilation flows with fluidity, as each song on the compilation seems to compliment the one that it follows.
Keeping the feel and arrangements intact, this cover by Masheaux adds a danceable beat and removes any tinge of melancholy that the original almost verged on. Musically, the song is more sedate than its bombastic title, but the song has some of closest attentions to details that are out of there. There is nothing in the song in terms of sounds, noise, or arrangements that goes to waste.
Of course the inclusion of Tim Ten Yen put a big smile on my face. Tim Ten Yen is all about strong song writing, and this track is just more evidence to that. That brings us to the two closing songs of this twenty-one-song collection.
With sensual vocal arrangements and layers of sounds, the song moves pristinely, playing with tempo and instrumental arrangements including an acoustic guitar creating an allure to this song that is hard to resist. What I love about the song is that it can move you to dance without employing the same formulas that other synthpop musicians use.
As a term, C86 quickly evolved into shorthand for a guitar-based musical genre characterized by jangling guitars and melodic power pop song structures, although other musical styles were represented on the tape. The C86 scene is now recognized as a pivotal moment for independent music in the UK.
The C86 name was a play on the labelling and length of blank compact cassette, commonly C60, C90 and C, combined with The tape was a belated follow-up to C81, a more eclectic collection of new bands, released by the NME in in conjunction with Rough Trade.
C86 was similarly designed to reflect the new music scene of the time. My copy is at least second-hand, possibly more. Side 1 today. Side 2 tomorrow. Individual songs are available from clicking each of the above links. The Library had a front entrance at the top of a staircase with de rigueur velvet rope and a VERY sarcastic, almost urchin-like attendant named Leo.
They were like three-dimensional calling cards…. He knew everybody and how to show them a great time. Neville was a miniature Bob Hoskins mixed with a bit of Michael Caine in Alfiebut man he was a lot of fun. Thing was, for every drink patrons in The Library attempted to purchase, they would likely be fed 3 or 4 more for free, once things in the room got going. Neville worked for the tips and the club just wanted happy beautiful people.
On any given night of the week, you could find Johnny Ramone or Billy Idol mingling with Herbie Hancockor Tom Hanksor some popular soap opera diva.
Many bands playing in NYC would skip the after-show party and show up at Limelight to just relax and have a good and relatively quiet after-show night in NYC. We were on a mission. Later in the night I was talking to the room manager Fred and related how they seemed a bit like fish out of water, but Fred told me they had a great time and planned on being back the next night after doing some publicity events.
I related this to The Girls who agreed we had to be back the next night and get them to let down their hair a bit. They were dead set on getting the Brummie Boys to get into the spirit whether they liked it or not. I thought, oh yeah this should be fun! Later that night we arrived at Limelight, sometime close to Midnight.
The Library was buzzy, but not crowded, as it was a Thursday night. She was certainly game and excited to see how things unfolded. Not much more than a half-hour after we had arrived, Simon and John arrived and Nick came with his wife Julianne.
Nick and Julianne sat a bit separate from Simon and John, but still within chatting distance and they were all on sofas on the opposite side of the room from us. Perri Lister started to pester us about when the fun was going to begin. I wanted to it to go off right and not seem like an unwelcome ambush. To this end I asked Christine and Perri to go fill the bag of water pistols in the ladies room and the rest of us would take the opportunity to chat with Simon and John.
You could tell Nick and Julianne were a bit more preoccupied so it made sense to leave them be. After a few pleasantries, I could tell the guys were in a much looser and friendly mood and this would play right into our hand. Simon began cracking up and John actually raised his hands up in the air. Mimi then pulled out another two water pistols and threw them at the boys. Well that was all that they needed to break out of their shells! Before any of us to squeeze our triggers, Simon started shooting a steady stream of water at Sandi and I.
Next thing you know we all scattered around The Library using the sofas as barricades and taking shots at each other. After a couple of minutes I realized that Nick and Julianne were hysterically laughing and so I offered my pistol to Nick so he could join in. He was all about it! Rather than go after one of The Girls, he went straight for John!
I found refuge with Billy Idol who at this point was laughing hysterically and slapped me so hard on my back that I flew off the sofa on to the floor. Thing really got going once Neville persuaded Mimi to give him a pistol and he started running around quoting lines from spaghetti westerns he was of course a would-be actor.
Neville would gather up any empty pistols and recharge them with water from behind the bar and the next thing you knew everyone in The Library was calling for a pistol to have a go. Having recovered from my moment on the floor and a few Jack and Cokes in me, I grabbed two of the pistols and challenged Billy Idol to a duel. We have a duel! He put Billy and myself back to back and had us walk 5 paces they were water guns after all and turn before firing. He just broke up in laughter and never got a shot off!
In fact, it seemed like everyone in the room with a water pistol began firing in his direction! This water pistol melee continued for about an hour and at some point many of the pistols seemed to have either Vodka or Whiskey in them. So by the end, most people were just shooting those pistols directly in their own mouths.
Simon, John and Nick were all as drenched as any of us and had great fun. I remember that Julianne had managed to stay relatively unscathed in all the fracas. She just slumped on the sofa next to me. Then she sprang back to life and asked me if I thought Page Six would run the item even without a picture? Claire was disappointed, but I told her that they ran a lot of my blind items.
I looked over, after being released from her bear hug, to see Peter Gatien sitting on the couch in her office and he looked up at me and said thanks for the story in the Post. In the new year, I would find myself with the role of junior publicist at The Limelight, thanks to that night of wet and wild with Duran Duran. A few years back, my friends Echorich and Jonny the Friendly Lawyer collaborated on a short series of posts celebrating life and growing up in New York City.
My thanks, again to the two of them for sharing such amazing and precious memories. The Limelight was a huge, 19th century Gothic deconsecrated church on the corner of 20th Street and 6th Avenue. It opened as a nightclub around A fair number of famous bands played there but the place was really more known I Hope You Apollogise - Various - Art Of Noise - Melaka Grunge Bands Compilation (Cassette) a dance club.
I passed by the Limelight all the time because I lived nearby on 23rd St. It was a massive, byzantine structure that was always jam-packed, with a line around the block to get in.
But when the chance arose for my band, Chronic Citizensto play there you can bet we jumped at it. It was impossible to get gigs in the city it still is. There are only so many venues and there are 10, bands trying to get a look in. There was no way to get I Hope You Apollogise - Various - Art Of Noise - Melaka Grunge Bands Compilation (Cassette) name out apart from wheat-pasting flyers to walls and phone poles in the dead of night.
No local radio station would play your music, even if you could afford to record and press any. The major indie venues— The RitzPeppermint LoungeKnitting FactoryDanceteria —were booked solid with famous international acts. Unlike other dives the Citizens played, the Limelight was a proper venue with a major-league green room. The five of us and assorted girlfriends and comrades piled in, where we met our opening act, a group of scrawny kids from New Jersey called, if I remember correctly, the Orphans.
We were all shocked when the door opened and bus trays were delivered filled with beer on ice! Unknown bands were treated like shit as a matter of policy in the city, and here we were having beer delivered to our dressing room!
We descended on the beer like locusts and, in short order, an impromptu jam began. We sort of got carried away with our rock star fantasy because someone from the venue politely entered and advised that we were supposed to be performing in the club, not getting plastered in the green room. This proved to be a bit of a problem for the Orphans, whose bass player was still on the wrong side of the Hudson.
So we decided to open for ourselves. We broke down the drum kit and amps and set them back up I Hope You Apollogise - Various - Art Of Noise - Melaka Grunge Bands Compilation (Cassette) one of the antechambers or side chapels or whatever you call the ancillary rooms in churches adjacent to the main cathedral.
I was also distracted by the presence in the audience of the sister of an old school friend. I know we would have played our theme song. We finished up and piled back into the green room to see if the Orphans had left any of the complimentary libations. The rest of them pleaded with me; they were going to miss their chance to play the Limelight!
I found a pen and looked for something to write on, the minutes passing uncomfortably. And so it came to pass that I played the Thunders classic at the Limelight, trying not to laugh and screw up the bass part while the singer squinted at my scrawled lyrics on the side of a milk carton he was holding aloft in the dim light of the stage.
That was more than enough for me. I packed up my gear and headed toward home three blocks west, still jazzed by the whole experience. I only played a few more shows with the Citizens before the band split and I put my fledgling music career on hold for thirty years. But I could always say I played the Limelight! And it was unforgettable being treated like rock royalty. It would be decades, and only through the good offices of our host JC, before I learned that the beer trays had been sent to the Limelight green room by…Echorich.
July The beginning of the second summer of love. In due course, the UK singles charts would begin to increasingly reflect what was going on out there in the fields, but for the most part they remain this month packed with the sort of dross, pap and utter shite that clogged up the airwaves of most radio stations.
The month began with Elton John in the middle of what would prove to be a five-week run at the top with Sacrifice, managing against the odds to fend off Luciano Pavarotti whose Nessun Dorma had gained huge exposure on a daily basis as the theme of the BBC coverage of the World Cup. Further down, there were some gems waiting to be unearthed amidst a ginormous pile of horse manure.
Come Home — James. How Was It For You? Fontana Records were aware that some of the back catalogue stood a great chance of success, in the same way as had been enjoyed by contemporaries such as Happy Mondays and Stone Rosesand so the single that had flopped when issued by Rough Trade was handed to uber-producer Flood.
It came in on 1 July at 32 but that was as high as it managed. The Crying Scene — Aztec Camera. Roddy Frame had delivered a new album to WEA that they were a bit flummoxed by. The previous album, Love has been slick and glossy. The b-side offered up a cover of a Cyndi Lauper hit single which is so lovely that I have to include it here. True Colours — Aztec Camera.
And that, was as good as it got for new entries in the first week of July The second week saw this come in at 4. One Love — Stone Roses. Up until now, all the chart hits for Stone Roses had been re-releases of old material. One Love was different and it entering the charts at 4, offered an indication that mainstream success for what was previously underground was a distinct possibility.
Junior Reid. Those of us up here in the Glasgow area who had watched Soup Dragons be part of the twee, occasionally shambolic but always guitar-based Bellshill scene along with the likes of BMX Bandits and Teenage Fanclub were stunned, bemused and delighted to see the band take the singles charts by storm by hitching their wagon to the Madchester sound.
To be fair, lead singer Sean Dickson was now pursuing his real love in terms of music, and the dance-floor is where he has remained over the past 30 years, never remotely interested in going back to the style his band had previously been best known for.
This version came in at 28 and eventually went to 5. Junior Reidthe lead vocalist for UK reggae band Black Uhuruprovided the distinctive toast verse in the middle of the song. The crusties and the grebos were also beginning to enjoy some commercial success, thanks in many ways to the old fashioned method of the bands going out on the road, gigging constantly and earning a fanbase who loved the energy of the shows.
How low can you go? Hear the cattle cry, death row. Despite not getting much in the way of airplay, Beef did reach 64, while Gary Clail would enjoy a top 10 hit in with Human Nature. These have some merit…. Return To Brixton — The Clash.
Long after the band had broken up, CBS continued to shove out material for cash-in purposes. Beats International had used The Guns of Brixton as the basis for Dub Be Good To Me as featured in a previous edition of this series and just to prove that very point, and to promote a newly remastered edition of London Calling some 10 years after the original, a slight remix of the original was issued as Return to Brixton.
It entered at 57 on 15 July but got no higher. The American songstress had enjoyed a very minor hit in with a song celebrating a New York restaurant that she often frequented. Velouria — Pixies. The profile of the Boston-based band had rocketed from the adoration heaped on them by the critics, many of whom had named Doolittle as the best album of Velouria was the first new song since then and it smashed into the charts at 28 on 22 July.
Another band whose reputation was down to live shows, critical acclaim and making the sort of music that fitted in perfectly with all that was happening around them. The chart of 29 July had plenty of new entries — 14 in all — but once again as was illustrated last month they should, in the interests of good taste, mainly be skipped over Thieves In the Temple — Prince.
Thieves In The Temple would rise into the Top 10 the following week, becoming the ninth Prince single to achieve such lofty heights. He would go onto have six further such successes during the first half of the 90s, including his only 1 hit, The Most Beautiful Girl In The Worldwhich hit the top in Aprilalthough it was released by Symbol rather than Prince……….
Given away with the April edition of Select Magazineone that came with Boy George on the cover. The pages of reviews contained some decent stuff such as Out of Time by R. Nine songs all told, including what, at the time, was some rare material in terms of remixes and unreleased tracks. And, unusually for a giveaway tape, two tracks by the same artist — Cath Carroll — with one being from a still to be released album and the other from a recent EP.
B2: Invisible Man — The Breeders. Neil Young was associated with the jukebox that was in the corner of the games room in the student union, over which stood permanently the long-haired, combat-jacket wearing crowd who seemed to have it rigged up to churn out early 70s rock classics as if we were stuck on a loop of Bob Harris -fronted editions of The Old Grey Whistle Test.
JAZF told me that a new live album by Neil Young, recorded as part of an MTV Unplugged show, was one of the best albums of and he kept putting a track from it on each monthly tape. Turned out, he was right. He usually is. Sounds of Blackness started at Macalester College in Minnesota with 50 singers and three musicians in Today there are 30 singers and 10 orchestra members.
Bennett joined the group at 17; she's 35 now. Her involvement is a family tradition: Her mother, aunt, cousin and uncle were also involved with the group. Bennett says that generational connection can be recognized in the new album, too. Hines says the group's vision is rooted in the traditions of Duke Ellington and Quincy Jones. The band performs the music of the black experience — jazz, blues, gospel, spirituals — paired with positive messages for people of all backgrounds.
There are even featured artists from countries from India to Japan. He and Bennett say the music has something for everyone, including those who may be struggling right now.
Feb 17, · Here is the Hugh Masekela song that President Cyril Ramaphosa movingly quoted at the end of his State of the Nation Address in Cape Town last night, Friday 16 February Sadly the iconic South African musician who gave us ‘Send me’ passed away on 23 January , from prostate cancer, less than a month before Ramaphosa claimed that new dawn had come. May 21, · lyrics on screen i hope you enjoy it =D. Song A Beginner's Guide to Destroying the Moon; Artist Foster the People. Jun 29, · You’re the one that I love; You’re the source of my joy You’re the giver of life; the Prince of Peace (Repeat) With all of my heart, With all of my soul With all of my strength; I give you the praise (Repeat) Song #2. Woza mazingene, ebukhoneni kenkosi Laphikasi mulo, ibona yaliswa Umoya onamandla, uqashuli’zibopho.
Start studying Our Song. Learn vocabulary, terms, and more with flashcards, games, and other study tools.
Sempoove Poove Song Lyrics From Siraichalai#Ilaiyaraja #SPB #KSChitra #Arivumathi Sempoove pooveun megam naanvandhaal oruvaliyundo.. saaindhaadum sangilthuli pattaalummuthaagidum muthunde Padai kondum. Start studying Our Song. Learn vocabulary, terms, and more with flashcards, games, and other study tools.
Adunik Aiyub Bacchu Akon Album: Backstreet Boys () Anjan Dutt Ark Ark Hasan Arnob Artcell Asha Voshle Aurthohin Azam Khan Balam Balam 2 Bangla Bangla Movie Song Lyric Bappa Majumder Bhupen Hazarika Black Chitra Singh Chondrobindu Different Touch Dolchut Feedback Fuad Habib Wahid Hacking_LOCKED Hason Raja Hindi Lyrics Hridoy Khan Kishore.
Adunik Aiyub Bacchu Akon Album: Backstreet Boys () Anjan Dutt Ark Ark Hasan Arnob Artcell Asha Voshle Aurthohin Azam Khan Balam Balam 2 Bangla Bangla Movie Song Lyric Bappa Majumder Bhupen Hazarika Black Chitra Singh Chondrobindu Different Touch Dolchut Feedback Fuad Habib Wahid Hacking_LOCKED Hason Raja Hindi Lyrics Hridoy Khan Kishore. Aug 16, · New Ethiopian music Shewandagn Hailu - Mech erasashalew, lyrics done verse by verse enjoy.
Aug 16, · New Ethiopian music Shewandagn Hailu - Mech erasashalew, lyrics done verse by verse enjoy.
Like The Beat Of A Heart (Live), Honolulu Rallye - Dolly Roll - Dolly Roll (Vinyl, LP, Album), Judo - Amnestiet - Alt Vi Gjorde Var Meningen (CD, Album), Love Im Coming Home Again - Sterling Harrison - Sterling Harrison (Vinyl, LP, Album), Ghost Of Frankenstein - Misfits - The Devils Rain (Vinyl, LP, Album), Children Of The Sea - Black Sabbath - Live In USA 94 (CD, Album), Bonnie St Claire* - Zeven Jaren (Vinyl), Yer Blues (Jagger & Lennon Version) - Various - Rock and Roll Circus (Vinyl, LP, Album, Album), Rose Anjers - Simon Carmiggelt - Kronkelgroeven (Vinyl, LP), Stick Death - The Covrs - Eyes Of Society (Vinyl), Sømand Af Verden - Dodo And The Dodos - Største Hits (CD), Beyond The Forbidden Door - Medo (4) - Cruzando Os Portais Do Submundo (CD, Album)